Keep at this process until you can play the passage at the right tempo making sure that you are fully in control at each tempo before moving on. Once you have found a tempo that you can play comfortably in then move the metronome up one notch. The most important thing is to be in control. Don’t worry if you have to bring a 160 passage down to 80 or even lower. Bring down the tempo until it is manageable and you have full technical control over the entire passage. When speed is the element that makes a passage difficult remove the difficulty by reducing the speed. The following list is some recommended ways to use your nome… Speed development Getting there one click at a time… The fact that it lets you know when your rhythm is straying is very useful if you make sure to correct yourself as you go along. The metronome can aid your practice by adding structure and it can help you diversify your practice schedule. However, if you persevere with the metronome it can bring wonderful results. It is almost like having an annoying friend that is always right. Using a metronome can be frustrating because if your rhythmic sense is not just right the metronome will let you know loud and clear. Well, without making too much fun of myself let me just say that now, after almost ten years of conservatory training, all my nomes seem to work just fine… To my, very self-assured ears, they were constantly slowing down and speeding up! It seemed inconceivable to me at the time that I was the one with the wandering tempo. I had tried new batteries, different settings, and even asked my friends if they could hear what I was hearing. I was absolutely convinced that they kept breaking, one after another. When I was in my teenage years I built up quite a large collection of metronomes. That is, we’ll walk through how to make the metronome your friend and get the most out of it in your practice. In this article we’ll look at metronome practice.
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